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Make no mistake about it, Wheelchair Jimmy can rap: The 11 Best Lines from “5 a.m. in Toronto”

 

Man, has Wheelchair Jimmy made a name for himself or what?

Ever since he hit the scene, Aubrey “Drake” Graham has been on a quest for greatness. By his carefully planned tours(notice who he invites on tours and what they have in common,) his methodical approach to his albums and the strategic releases of his singles, it’s easy to see Drake is aiming for more than just critical acclaim – He wants to be great.

Although I may question his behavior and his sometimes monotonous voice, I can’t deny his ability the rap. He’s one of the most lyrical mainstream rappers out, so when he drops a single, most will listen. “Started from the Bottom” is okay and a pretty decent single but it doesn’t do too much for me.

“5 a.m. in Toronto” though? Flames.

Over a nasty Boi-1da instrumental, Drake takes a bushido blade and slices and dices his way through the murky piano loops, taking subtle but vicious jabs at his foes. Rumored lines towards Common(!), Chris Brown(!!) and the Weeknd(!!!) may have the internet buzzing, but what caught my attention is the amount of quotables present in this track. Drake was coming for the crown when he stepped in the booth and recorded this one.

With that said, here are the 11 Best lines from “5 a.m. in Toronto.”

11. “A couple albums dropped those are still on the shelf/I bet them shits would have popped if I was willing to help/ I got a gold trophy from the committee for validation…”

Meaning: Drake’s throwing shots at The Weeknd, allegedly for falling back on signing with Drake’s label. The Weeknd’s “Trilogy” could have done better with some real Drake features, just ask the Grammy committee.

Although it’s another example of the hyper-sensitive nature of rappers, it’s still a vicious statement from Drake. Why? Because if you think about it, he’s right.

10. “Without me, rap is just a bunch of orphans”

Meaning: Drake’s style has birthed a lot of rappers in the game *cough*Kirko Bangz*cough*

I tend to agree with this line as it seems to me that Drake has become a very influential rapper in the game at the moment. There are some rappers who take elements of his gameplan and make it work for them, while there are others…who are clones. Once again, *cou— No I’ll just say it, KIRKO BANGZ.

9. “B*tches loving my drive, I never give it a break”

Meaning: Girls love his ambition and how he never takes a break….Can also mean his sex drive….can also be driving as in a car and braking a car.

Amongst all of the other great lines, you might have missed this gem of a triple entendre. I swear, in between the corny sweaters, poses and public incidents, I forget Drake can rap sometimes.

 

8. “Cuz I show love, never get the same out of n*ggas, guess it’s funny how money can make change out of n*ggas”

Meaning: Once people get a little money and fame, they change. A play on the word, “change.”

Is this the realest statement Drake’s ever wrote? Although I’m quite sure there are some people who will tell you the same thing about young Aubrey.

7. “Wildin, doing sh*t that’s way out of your budget, Owl sweaters inside her luggage you gotta love it”

Meaning: Drake’s treating your girl to things you could never do for her.

I like Drake as a rapper, but he’s a known hater. “Marvin’s Room” was the thirstiest song of all time and he hasn’t changed since. If your girl is so tacky that she’s leaving Drake’s Ovo sweaters in her luggage, you need to drop her immediately. The fact that she’s slipping out on you with a guy who wears Owl sweaters should be the only excuse you need.

6. “I could load every gun with bullets that fire backwards, probably wouldn’t lose a single rapper”

Meaning: No real rappers are taking shots at Drake so he’s not worried.

Drake trying to get philosophical on the fans. Once he figures out how to make bullets that fire backwards, I’m sure the U.S. government will be knocking down his door.

5. “Give these n*ggas the look, the verse and even the hook, that’s why every song sound like Drake featuring Drake”

Meaning: If you listen to most of what’s out now, Drake has had such a hand in the music industry that everything sounds like his song.

He’s got a point, he’s everywhere. Outside of 2Chainz, Drake is everywhere. Which is why I found Drake’s position at #5 on MTV’s Hottest Emcee’s List absurd.

4. “Sinatra lifestyle/ I’m just being frank with you/ I mean, where you think she at when she ain’t with you?

Meaning: Shots at Chris Brown. Frank as in Frank Ocean, another person who dislikes Chris Brown.

Drake’s hurling shots at Chris Brown like fireballs. Another hater line but if there is anyone that deserves everything coming his direction, it’s Chris Shakur himself.

3. “The part I love most is they need me more than they hate me, so they never take shots I got everybody on safety”

Meaning: As much as people hate to admit it, Drake dominates the charts. So no one ever takes real shots at him.
Like him or hate him, check the billboards, he’s EVERYWHERE. “No Lie,” “Pop That,” “Amen,” “Poetic Justice,” “F*ckin Problems”….do I need to go on?

2. “All them boys in my will, All them boys is my Wills, anything happen to pop then I got you like Uncle Phil”

Meaning: Playing on “Will.” If anything happens to Drake, his closest friends will be in his will, he’ll take care of them like Uncle Phil did Will on “The Fresh Prince of Bel-Air.”

Sure, I’m giving this line more props because I love Fresh Prince. But who doesn’t love Fresh Prince? Plus, the line was actually clever.

1. “You underestimated greatly, most number ones ever how long did it really take me?”

Meaning: People doubted Drake but in 2 years, he’s already achieved the most number one rap songs ever, ahead of Diddy & Jay-Z.

Very impressive. Drake is a sure thing for hit, more so than any artist in recent memory. And more so than his lesser talented boss Lil’ Wayne. The opening line of the track is it’s best line, starting off the song reminding people who really runs the rap game, despite what some people say.

 

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Come and have a good time with G.O.O.D. Music: “Cruel Summer” Review

After releases from two of the other major camps in Hip-Hop music, Kanye West presents his crew’s offering to the world with: “G.O.O.D. Music: Cruel Summer.”

Weird album covers aside, the 12-track LP actually features some great production, clever lyrics and classy features as well. Opening with Kanye West and a re-energized R. Kelly singing “To the World.” Listening to the first song, you get the impression that Kanye feels as he and his crew are on top of the world and everyone else can only look in admiration. Never short of big boasts, Kanye proclaims himself “the god emcee” while R.Kelly proclaims “The whole world is a couch/B*tch I’m Rick James and I’m not giving a f*ck tonight.” Any Dave Chappelle reference is going to be a hit to me.

Some of the more known songs follow as Big Sean gets a feature with his two idols ‘Ye and Jay-Z. We all know “Mercy” but one of the other standouts is “New God Flow.” The original leak only showcased Pusha T & Kanye. The album cut features the man whom the song samples, Pretty Tony himself Ghostface Killah. Ghost comes through and puts the nail in the coffin with a verse reminiscent of his Supreme Clientele days.

Directly after is “The Morning,” where another legendary Wu-Tang Clan member “The Chef” Raekwon comes through and provides one of the best verses on the entire album.  On a beat that sounds more complex than you would imagine, The Chef spits some of his more hard-hitting rhymes of the past few years. “They yellin’ Chef, kill the plate with the cooks/I said ‘Ye with 2 chainz on, we Common let’s push”…..if you can’t get it, I even spelled the names out in the line.

While “The Morning” is great, it also showcases one of my biggest criticisms of the album: Common has maybe seven bars on the entire album and they’re on this song.  SEVEN BARS ON THE ENTIRE ALBUM. And here’s another shocker: Mos Def has none. How Chief Keef finds his way on the album Mos Def doesn’t is beyond me. Two of the best rappers on the roster need a little more time on the album. Not even a Q-Tip showing! And there was plenty of space for them as the album is only 12 tracks long. On my first listen, I was completely caught off guard when the album ended. If I’m going to continue to buy more albums, I’m going to need a bit more than 12 tracks.

All-in-all, the album is very solid from start to finish. Ma$e shows up with a surprising stand-out verse on “Higher” and John Legend and Teyana Taylor actually sound really good together on “Bliss.” The only artist on the roster to receive a solo track, Kid Cudi gives you another offering of basic Kid Cudi. While I’m a fan of his work and this short hymn was enough to get me excited for future releases, “Creepers” seemed more like an interlude than actual track. I felt as if on a 12-song album with no Mos Def and not enough Common, a 2 minute Kid Cudi hymn could have been left for a mixtape.

The album won’t break any new ground but it’s a nice beginning offering from the G.O.O.D. camp. I don’t think it necessarily places them above or below any other rap crew but it’s a good sign of things to come. As arrogant as Kanye West seems to be, there is no denying that the guy is a genius when it comes to music. Cruel Summer doesn’t disappoint.

4/5

Three Standouts:

Mercy
New God Flow
Bliss

 

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Big Sean: “Finally Famous” finally worth it?

"Finally Famous: The Album"

After a slew of mixtape releases and guest appearances, 23-year-old G.O.O.D. Music rapper Big Sean is “Finally Famous.” Finally releasing his debut album, “Finally Famous: The Album,” the charismatic Sean Anderson tries to woo fans and critics alike all in one take. But does this release hold a candle to the mixtapes?

In my mind, it does all of this and more as Sean proves he’s no Drag-On from Ruff Ryders in G.O.O.D. music. He’s more in the mold of a Cam’ron from his Roc-A-Fella days in that he has his own style and lane that most people can appreciate.

If you’re listening, you already know the type of artist Big Sean is. He relies on heavy, almost futuristic sounding beats to complement his unique flow and humorous rhymes. Continue reading

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